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Slaves to Gravity - 'Scatter the Crow'  Send to a friend
Written by Caroline Jacobi   
Monday, 24 November 2008 11:43

slavestogravityKerrang’s Best British Newcomers, Slaves to Gravity, have crashed landed into the music scene with a stunning debut album.

Made up of guitarist Tommy Gleeson, drummer Jason Thomopoulos and bassist Toshi Ogawa from the dearly departed London favourites, The Ga Gas, and new guitarist Mark Verney , Scatter the Crow is a record you must hear before you die, and definitely a record you must own while you’re alive.


After the destruction of The Ga Gas, the guys picked themselves up, dusted off their guitars and fought on to put together one of the best albums to be released this year, with the help of their own record label, Gravitas Records.


As first records go, Scatter the Crow, released back in March, is almost aligned with Guns and Roses’ masterpiece, Appetite for Destruction, as an album that will put the band on the map.


So far, three singles have been released, the latest being ‘Mr Regulator’ which came out in March.
With songs to chill to, songs to write dissertations to and songs to just go crazy and get drunk to, this album has everything. Tommy’s beautiful lyrics and the entire band’s original sound bring something new to an industry crippled by heartless music.


The love and commitment that has been poured into this album over its two years creation has won Slaves to Gravity critical acclaim, with Kerrang awarding Scatter the Crow four K’s and heralding it “chest beatingly huge.”


For fans of Sound Garden, Guns N’ Roses, Stone Temple Pilots or just fans of great music, Scatter the Crow is an essential for any student collection.


For more information about Slaves to Gravity, visit the site, where there is information about future gigs because if you have a chance, hearing this band live is not something you want to miss.
 

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3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."

 
Author of this article: Caroline Jacobi

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